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Hilary Mantel was born in Glossop, Derbyshire, England on 6 July 1952. She studied Law at the London School of Economics and Sheffield University. She was employed as a social worker, and lived in Botswana for five years, followed by four years in Saudi Arabia, before returning to Britain in the mid-1980s. In 1987 she was awarded the Shiva Naipaul Memorial Prize for an article about Jeddah, and she was film critic for The Spectator from 1987 to 1991. Her novels include Eight Months on Ghazzah Street (1988), set in Jeddah; Fludd (1989), set in a mill village in the north of England and winner of the Winifred Holtby Memorial Prize, the Cheltenham Prize and the Southern Arts Literature Prize; A Place of Greater Safety (1992), an epic account of the events of the French revolution that won the Sunday Express Book of the Year award; A Change of Climate (1994), the story of a missionary couple whose lives are torn apart by the loss of their child; and An Experiment in Love (1995), about the events in the lives of three schoolfriends from the north of England who arrive at London University in 1970, winner of the 1996 Hawthornden Prize.
Her recent novel The Giant, O’Brien (1998) tells the story of Charles O’Brien who leaves his home in Ireland to make his fortune as a sideshow attraction in London. Her latest books are Giving Up the Ghost: A Memoir (2003), an autobiography in fiction and non-fiction, taking the reader from early childhood through to the discoveries in adulthood that led her to writing; and Learning to Talk: Short Stories (2003).
Hilary Mantel’s novel Beyond Black (2005) tells the story of Alison, a Home Counties psychic, and her assistant, Colette. It was shortlisted for a 2006 Commonwealth Writers Prize and for the 2006 Orange Prize for Fiction. Her latest novel Wolf Hall (2009) won the 2009 Man Booker Prize for Fiction.
‘Hilary Mantel has written an epic of English history that does what the Aeneid did for the Romans and War and Peace for the Russians. We are lucky to have it.’ Sunday Telegraph
‘Very few writers manage not just to excavate the sedimented remains of the past, but bring them up again into the light and air so that they shine brightly once more before us. Hilary Mantel has done just that.’ Simon Schama, Financial Times
‘A masterpiece that will keep yielding its riches, changing as its readers change, going forward with us into the future.’ Guardian
‘The most masterful story telling imaginable.’ Graham Norton
‘Ambitious, compassionate, clear-eyed yet emotional, passionate and pragmatic, The Mirror & the Light lays down a marker for historical fiction that will set the standard for generations to come.’ Independent
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