More Information & Critical Reviews
Jo Nesbo is one of the world’s bestselling crime writers, with The Leopard, Phantom, Police, The Son, The Thirst and Knife all topping the Sunday Times bestseller charts. He’s an international number one bestseller and his books are published in 50 languages, selling over 45 million copies around the world.
Before becoming a crime writer, Nesbo played football for Norway’s premier league team Molde, but his dream of playing professionally for Spurs was dashed when he tore ligaments in his knee at the age of eighteen. After three years military service he attended business school and formed the band Di Derre (‘Them There’). They topped the charts in Norway, but Nesbo continued working as a financial analyst, crunching numbers during the day and gigging at night. When commissioned by a publisher to write a memoir about life on the road with his band, he instead came up with the plot for his first Harry Hole crime novel, The Bat.
‘I read The Kingdom and couldn’t put it down . . . Suspenseful . . . Original . . . This one is special in every way.’ Stephen King
‘The latest stand-alone from the chronicler of Inspector Harry Hole puts all the murky, violent twists on brotherly love that you’d expect from this leading exponent of Nordic noir…’ Kirkus Reviews
‘For mystery readers in search of heroes a shade darker than Agatha Christie’s Hercule Poirot, enter . . . Jo Nesbø . . . The Kingdom, Nesbø’s new standalone story, sees him peeling back layers of unnerving secrets surrounding a pair of brothers in Oslo, from their parents’ mysterious deaths to their family’s disturbing history and the secrets of their hometown.’ TIME, “The 42 Most Anticipated Books of Fall 2020”
‘The Kingdom is a complex and simmering standalone novel from the author of the popular Harry Hole detective series, and it dives deeply into the psyches of its characters. Twisty, violent, gripping, and very disturbing.’ Buzzfeed
‘Captivating . . . Guaranteed to be in high demand. As the story unfolds, it builds in dread and depravity. The small-town atmosphere resembles a Peyton Place as envisioned in an unlikely collaboration between Raymond Chandler and Henrik Ibsen. The complex characters and twisting plot will keep readers turning the pages and eager to discuss.’ Library Journal
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