More Information & Critical Reviews
Kate Grenville is one of Australia’s most celebrated writers. Her international bestseller The Secret River was awarded local and overseas prizes, has been adapted for the stage and as an acclaimed television miniseries, and is now a much-loved classic. Grenville’s other novels include Sarah Thornhill, The Lieutenant, Dark Places and the Orange Prize winner The Idea of Perfection. Her most recent books are two works of non-fiction, One Life- My Mother’s Story and The Case Against Fragrance. She has also written three books about the writing process. In 2017 Grenville was awarded the Australia Council Award for Lifetime Achievement in Literature. She lives in Melbourne.
‘There is no doubt Grenville is one of our greatest writers’ Sunday Mail
‘One of the most entertaining, accomplished, engaging novels written in this country…We always knew Kate Grenville was good but this one is brilliant.’ Courier Mail on The Secret River
‘Grenville’s extraordinary trilogy is a major achievement in Australian literature.’ Australian Book Review
‘Kate Grenville is a literary alchemist, turning the leaden shadow of the historical Elizabeth Macarthur into a luminescent, golden woman for our times. Intelligent, compassionate, strategic and dead sexy, Grenville’s Macarthur is an unforgettable character who makes us question everything we thought we knew about our colonial past. A polished gem of a novel by a writer who is as brave as she is insightful. I simply loved it.’ Clare Wright
‘This story, told through Grenville’s sharp lens, is one that will stay with the reader for a long time.’ Readings
‘An ingenious tapestry of history and invention, A Room Made of Leaves is a novel of womanhood, motherhood, secrets, lies, obsession, transformation and the loss of innocence. It’s a true pleasure to read Grenville’s writing, and this one’s been well worth the wait!’ Booktopia
‘Giving voice to the countless generations of women who were prevented from telling their true stories…Compelling.’ Herald Sun
‘A little bit of Austen, a little bit of the Brontes, a little bit of Thomas Hardy.’ RN Bookshelf
‘Vividly rendered, warmly sympathetic, daring in speculative breadth: a full-length portrait in oils of a woman known to most of us only in profile miniature…If Grenville’s novel is inspired by provocation, it unfolds as a feeling, organic story.’ Australian
‘Grenville so convincingly creates Elizabeth’s voice it is easy to forget her opening warning: “Do not believe too quickly!”…Grenville’s Elizabeth stays with you.’ Conversation
‘Grenville’s prose is elegant and meticulously crafted…Despite the trappings of history in A Room Made of Leaves and Grenville’s impressive use of the archive to conjure the novel, her achievement here is not a historical one. A Room Made of Leaves questions, rhetorically, how to live ethically with a history that is unfair.’ Saturday Paper
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